THE FRENCH HAD A NAME FOR IT '22
NOVEMBER 6 • 7 • 12 • 13 / ROXIE THEATRE
Presented by Mid-Century Productions
LE MAIN DU DIABLE / CHAIR DE POULE
MCP's faithful have been ultra-supportive in 2022. We can't thank you enough for your fantastic response to MIDCENTURY MADNESS!
But times are tough, and in order to keep the flame of our efforts alive for the future, THE FRENCH HAD A NAME FOR IT '22 is a very limited engagement. The series plays in the Little Roxie, where there are only 45 seats available, with 40 passes on sale now. (We're sorry that it's like this, but—as we said...times are tough.)
While the venue is small, the festival is still BIG—fifteen films in all with 11 new rarities ranging from the Occupation during WWII all the way to the early 1970s. Four fantastic festival favorites will be re-screened, including films featuring Jean Gabin and seminal FRENCH HAD A NAME FOR IT rediscovery Robert Hossein.
Many familiar faces will appear on screen: Simone Signoret, Alain Delon, Lino Ventura, Jean-Louis Trintignant, Romy Schneider, Françoise Arnoul, Pierre Brasseur, and Eddie Constantine.
It's another sensational and unprecedented lineup of films, continuing its game-changing look at French noir and the history of French cinema, while simultaneously widening and refining our understanding of film noir itself. November (some call it "Noirvember"...) is the perfect time to immerse yourself in these impossible-to-see rarities from what Don calls "the lost continent."
“Film festivals can sometimes be important vehicles for transforming people's understanding of cinema history. So it has been with Don Malcolm's annual The French Had a Name for It festival at the Roxie Theater, which since 2014 has been rewriting the history of film noir and resurrecting the mostly forgotten treasures of French noir.”
—Mick La Salle, Datebook Pick - SF Chronicle
Read MCP head honcho Don Malcolm's overview of the festival on his Substack, and his accompanying feature on Mylene Demongeot, a truly iconic French noir actress who is getting a "repeat tribute" on Monday, November 7. Her performances in A Kiss for A Killer (1957) and That Night... (1958) are electrifying. Watch for additional updates on Facebook and Twitter.
DON MALCOLM ON SUBSTACK
• FRENCH '22: A Tale of Two Weekends!
• FRENCH '22: For the faithful! - Entering the Lost Continent's Heart of Darkness
• Celebrating Mylene... A birthday today, an homage in November
PART I: NOVEMBER 6-7
GOUPI MAINS ROUGES
IT HAPPENED AT THE INN
(1943) 12:30 pm
dir. Jacques Becker
LA TÊTE CONTRE LES MURS
HEAD AGAINST THE WALL
(1959) 2:30 pm
dir. Georges Franju
CLOPORTES
THE METAMORPHOSIS OF WOODLICE
(1965) 5:00 pm
dir. Pierre Granier-Deferre
LA VEUVE COUDERC
THE WIDOW COUDERC
(1971) 6:45 pm
dir. Pierre Granier-Deferre
LE TRAIN
THE LAST TRAIN
(1973) 8:30 pm
dir. Pierre Granier-Deferre
UNE MANCHE ET LA BELLE
A KISS FOR A KILLER
(1957) 6:30 pm
dir. Henri Verneuil
CETTE NUIT LÀ
THAT NIGHT...
(1958) 8:30 pm
dir. Maurice Cazeneuve
PART II: NOVEMBER 12-13
MÉNACES
THREATS
(1940) 12:30 pm
dir. Edmond T. Greville
LE DIABLE SOUFFLE
THE DEVIL'S BREATH
(1947) 2:30 pm
dir. Edmond T. Greville
LE MAIN DU DIABLE
THE HAND OF THE DEVIL aka SINNERS' CARNIVAL
(1943) 5:00 pm
dir. Maurice Tourneur
SORTILÈGES
SPELLS
(1945) 6:45 pm
dir. Christian-Jaque
LA CHATTE
THE CAT
(1958) 12:30 pm
dir. Henri Decoin
LUCKY JO
(1964) 2:15 pm
dir. Michel Deviller
AU-DÉLA DES GRILLES
THE WALLS OF MALAPAGA
(1949) 5:00 pm
dir. René Clément
CHAIR DE POULE
HIGHWAY PICKUP
(1963) 6:45 pm
dir. Julien Duvivier
THREATS
THE DEVIL'S BREATH
SPELLS
THE CAT
HIGHWAY PICKUP
THE WALLS OF MALAPAGA
San Francisco's
Roxie Theatre is located at 3117 16th St. between Valencia & Guerrero, one block from 16th & Mission BART.
Box Office: 415.863.1087
MIDCENTURY PRODUCTIONS is a "boutique"
programming venture designing "mini film festivals, featuring films from cinema's most explosive three
decades—the 1940s, 1950s, and 1960s. We program original festivals and work with organizations and
individuals to craft singular programming that illuminates the hidden corners of these three decades.
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